It’s Week 4 of the 100-words-per-week Serial Novel (which is technically Flash Fiction) story I’ve been working on in the Writing Forum Exercises I participate in. This week, we addressed the Climax and Resolution of the story typically found in Act III of a 3-Act format and the six prompts to work into the narrative were: Invitation, Lantern, Twisted, Grainy, Falls, and Greedy.
If you recall from earlier in our story…
Part 3 of the 5 Part Series on Serial Novels
Building a story is a bit like building a house.
You might remember from last week that I’m participating in a month-long writing exercise building a short story , one-hundred words at a time.
Last week, we tackled the introduction: a hundred words to acquaint the reader with the characters, setting, and develop a story question or inciting incident. This week, we move on to what is often considered Act One in the Three Act Writing Structure  where we address the Rising Action . Prompt words to weave in, to add to the challenge , are: common, infinite, captive, flaming, constant, movement
So, without further delay… the next 100 words! (Ahh… maybe I should include the first 100 words? They’ll be in italics.)
Before television… before radio… many people got their fiction fix via serial novels. 
This is especially true for Rose in the late 1920s and early 1930s. While radios were getting their start, it wasn’t until the mid-30s that nearly every household could afford one. And since books were expensive and libraries few and far between, newspapers filled the void by publishing serial stories that readers looked forward to each week. 
I was reading an article about jazz in the Time-Life special edition on the Roaring Twenties  that I recently purchased when I read about a band in Chicago that was tantamount to the rise of that particular music genre.
Of course, that got me thinking about my W-I-P, as all things related to that era do, and my character Charlie Brockway.
You’ve seen Charlie in some previous posts , but he is still a relatively unknown character for me. I know he’s originally from Chicago; that’s there’s some big secret in his life; and that he’s a musician. But this Time-Life article got Charlie talking about his past a bit.
One thing I’ve learned while writing is that I have a terrible visual imagination. I can describe how something feels. Or smells. And I’m pretty good with emotion. But ask me to describe how something looks and if it’s not right there in front of me, I go totally blank.
Maybe I’m afraid I’ll get it wrong? Without looking at it first?
Take my mythical town of Henderson…
You haven’t seen much of me lately. I apologize for that. But… well, things got a bit crazy here, what with storms and rising water and holidays and new homes.
Still, Rose and Harold are with me every step of the way. In fact, I’ve been listening to 1920s and 1930s music to get a bit closer to them… and to my grandparents who were young newlyweds during this time.
Suffice it to say that I was surprised to hear this 1925 hit about my own hometown, Peoria.
It makes me happy to think of Rose listening (and dancing, even though Harold is pretty awkward and steps on her toes a lot) to this tune. And like the singer, I often wish “I was in Peoria.” Not because of the “goils” but for the people I love who are still there.
Chorus: Oh, how I wish’t I was in Peoria, Peoria tonight.
Oh how I miss the “goils” in Peoria, Peoria, tonight.
Oh you can pick a morning gloria right off the sidewalks of Peoria.
Oh, how I wish’t I was in Peoria, Peoria tonight.
All the lyrics here (plus a bonus rendition–scroll to the bottom of the lyrics–of the song by Bill Edwards)